Bilingual Storytime: 1:30-2 p.m. Mondays, through Feb. 3 (no session Jan. 20). Kids ages 0-5 can listen to stories and songs in English and Spanish. Toddler Tumble Time: noon-1:15 p.m. beginning Jan. 30. A five-week toddler play group with a focus on early literacy. Registration is required and is limited to the first 25 children, who must be between the ages of 1-3½. LEGO & Listen: 7 p.m. Jan. 13. Kids ages 6-12 can build with Lego blocks while listening to a recorded book. Registration is required by Jan. 13. Space is limited.
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The Department of Theatre and Dance at Notre Dame de Namur University. Student Showcase. 7:30 p.m. Feb. 6–8. Plays directed by graduating seniors. Winthrop Parkhurst’s “The Beggar and the King,” directed by Johnny Villar; Arthur Hopkins’ “Moonshine,” directed by Mark Aho; David Ives’ “The Universal Language,” directed by Donald Henderson; and George Bernard Shaw’s “How He Lied To Her Husband,” directed by Audra Batter. Notre Dame de Namur University Theatre, 1500 Ralston Ave., Belmont. $10. 650-508-3456 or firstname.lastname@example.org.
No, every cookie — I mean, couple — is different, as should be every pair’s romantic getaway, Maybe you and your pink flats - glitter shoes - magenta ballet flats - sparkly wedding shoes - prom shoes - glitzy flats - royal purple slip ons sweetheart are total nerds, wedded to the web and the successful marriage of wi and fi, and finding love at the first sight of a Rubik’s Cube in your room, Or perhaps your heart’s desire is to have your vows renewed, By Elvis, On a train, To Reno, Whatever tickles your fancy, cuddle up with your cutie at one of these romantic offerings around the Bay and beyond..
“There’s nothing out there like it,” says “Once” choreographer Steven Hoggett, who also collaborated with Tiffany on “The Black Watch.” “It casts a spell on the audience. It’s one of the most immersive shows I’ve ever worked on. The audience never feels like they are watching a show. The characters are so vulnerable and fragile that it feels real.”. Many have been smitten with the musical’s incarnation of this enchantingly low-key love story, an antidote to the bloated special-effects juggernauts that usually dominate Broadway.
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